CfP: The 10th IASEMS Conference, Università degli Studi di Genova, 22-24 May 2019
“Of Bought Wit”: Plagiarism, Imitation and Borrowing in Early Modern England
The Tenth IASEMS Conference
Università degli Studi di Genova, 22-24 May 2019
Wit is never good till it be bought.
Thy wit is dear bought, and yet stark nought.
John Heywood, Epigrams upon Proverbs, xiv (1562)
Early modern textuality seems directly to point at postmodern and contemporary visions of the text as a site of dynamic and multiple contribution. Given the role played in the foundation of an English national literature by a massive activity of rewriting and translating classical and contemporary foreign literature, early modern texts were also intrinsically inter-systemic and derivative. While early modern English began to come into its own as a national language, its more cultivated speakers felt the need to enrich and systematize its vocabulary mainly through borrowing and translation (a process contrasted by the so-called ‘purists’), so that it might compete with the more prestigious classical and continental languages. Indeed, competition with ancient or current models permeated the literary and cultural domain, and notions of imitation and borrowing were variously debated and practiced. Writers used their sources in a variety of ways, ranging from allusion to quotation to plagiarism; in the absence of legal protection of intellectual property, authorship, as well as co-authorship, was performed within more or less established patterns of literary and cultural production. In a context shaped by religious and political controversy, authorial identity was itself related to contemporary anxieties and experiences of dissimulation.
The Tenth Iasems Conference will investigate the various ways in which originality, creativity, appropriation, and borrowing were inscribed in early modern British literature and culture. Proposals meant to explore critical paradigms and counter-paradigms in the approach to early modern textuality and authorship are particularly welcome, as well as papers focused on the relationship between textual theory/practice and the political, religious, philosophical and sociological context in which the debate is situated.
Topics of interest include, but are not limited to the following:
imitation and creativity in early modern literature
theories and ethics of textual production
borrowing in literary theory and practice
language policies: borrowing, enrichment, exclusion
translation in theory and practice
the debate on plagiarism
plagiarism on the stage
textual appropriation as discourse and metaphor
textual appropriation and gender
anonymity and authorship as literary practice and strategy
literary debts in manuscripts, unpublished writings
parody and satire
rewriting knowledge in early modern textuality (historiography, treatises, unpublished writings, patchwriting, commonplace books, diaries)
multiple authorship and collaborative writing
publishers, printers, authors
digital humanities and the early modern text
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Clare J., Shakespeare’s Stagetraffic: Imitation, Borrowing and Competition in Renaissance Theatre, Cambridge, Cambridge University Press, 2014.
Cook T., Nielson J., Plagiarism and Proprietary Authorship in Early Modern England, 1590-1640, Department of English, University of Toronto, 2011 (PhD Thesis).
Hope J., Shakespeare and Language: Reason, Eloquence and Artifice in Early Modern England, London, Arden, 2010.
Hug T., Impostures in Early Modern England, Manchester, Manchester University Press, 2013.
Kerrigan J., Shakespeare’s Originality, Oxford, Oxford University Press, 2018.
Kewes P., Plagiarism in Early Modern England, Basingstoke, Palgrave Macmillan, 2002.
North M. L., The Anonymous Renaissance. Cultures of Discretion in Tudor-Stuart England, Chicago, University of Chicago Press, 2003.
Orgel S., The Authentic Shakespeare, and Other Problems of the Early Modern Stage, London-New York, Routledge 2002.
Randall M., Pragmatic Plagiarism. Authorship, Profit and Power, Toronto, University of Toronto Press, 2001.
Terry R., The Plagiarism Allegation in English Literature from Butler to Sterne, Basingstoke, Palgrave Macmillan, 2010.
Van Es B., Shakespeare in Company, Oxford, Oxford University Press, 2013.
Wells S., Shakespeare and Co: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story, London, Allen Lane, 2006.
White H. O., Plagiarism and Imitation during the English Renaissance. A Study in Critical Distinctions, New York-London, Frank Cass, 1963.
We welcome proposals for twenty-minute papers (maximum). Please send a 500-word abstract and 200-word curriculum vitae by 20 December 2018 to:
Luca Baratta: email@example.com
Giuliana Iannaccaro: firstname.lastname@example.org